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Review: “How to Sell a Haunted House” by Grady Hendrix

Be warned: Spoilers, puppets and creepy dolls ahead.

Grady Hendrix’s How to Sell a Haunted House tell the story of two siblings, Louise and Mark, who come home to Charleston to take care of their parents’ estate after both their mother and father pass in a tragic car accident.

The story gripped me in the second chapter, when Mark calls Louise to inform her of their deaths, and he begins to regale her with a very gory description of the incident because he said ‘it helps to know the details.” His sister has only had seconds to process the loss of both parents and already he is telling her that. Wow, what an asshole, I thought. And then, I hope Grady kills him off by the end.

With that thought in mind, as Louise leaves her daughter and flies home to help younger brother, Mark, deal with the estate and sell the house, I began to think this was a story of sibling rivalry. I watched, through Louise’s eyes, as she returned to the house for the first time in years, as she witnessed her mother’s doll and puppet collection collecting dust and the house in disarray, as she reminisced to herself about her parents’ lives, her mother’s puppet ministry and her father’s Christmas stollen. I watched as she discovered a boarded up attic and indications that something in the house had gone wrong just before her parents’ car accident. Louise tells the reader about the way her brother dropped out of college, and meandered his way through bartending jobs, while the mom and dad supported and encouraged every failure he made.  At this point, I was sure this was a book about sibling rivalry and the way our parents completely mess us up, intentionally or otherwise.

Hardover version of "How to Sell a Haunted House" by gRandy Hendrix laying on a grey background.

How to Sell a Haunted House by Grady Hendrix. No creepy dolls in the photo because I don’t keep them in my house–like a sane person.

Then Grady pulled the strings of his puppets on the page and the story began to twist and the characters became real, the same way the puppets in the story begin to take on a life of their own. The story went from what I thought it was, what I wanted it to be—as a sister and a sibling—to something else. How to Sell a Haunted House is about so many things—how we only know our own sides of the story, the secrets people keep for good and bad reasons (and how those things can be one and the same), how a family’s way of telling stories can just be another way to lie. It’s about all those things, as well as grief and terror, evil dolls and murder puppets, and it’s got the aforementioned sibling rivalry and parental damage to boot.

Grady Hendrix manages to take a story about a couple of siblings and a house full of haunted dolls and puppets and add to it layer after layer, to make it true horror—something that strikes at our deepest fears of love, loss and grief, that is more than just a story of murdeous marionettes. This book

made me laugh, it brought me near tears, and it gave me the damn creeps.  It’s also, easily, one of the best books I’ve read in the last year, in this genre of any other.

Review: Wendy, Darling by A. C. Wise

I hadn’t heard of A. C. Wise before a few months ago, when I read her story, “The Amazing Exploding Women of the Early Twentieth Century” in issue 122 of Apex Magazine. I loved it and started following her on Twitter, where I found out she would soon be releasing her first novel. I preordered it on a whim and I’m so glad I did.

Wendy, Darling brings us back into the life of Wendy, from J. M. Barrie’s Peter Pan, just has Peter has returned many years later to steal away her daughter, Jane. From there, the novel follows three lines: Wendy searching for her daughter in 1931; Jane, trapped in a darker Neverland with an ominous Peter Pan; and Wendy in 1917-1920, trapped in an institution by John and Michael, after refusing to give up her belief in the flying boy and his magic island.

The novel is well-paced and immediately gripping, but the thing I applaud the most is how Wise has made Barrie’s characters her own. She managed it beautifully, making Wendy, Peter, and the rest familiar, yet darkly different. Peter is both the boy we remember, and something shadowy and sharp-toothed, with danger lurking just behind his glinting eyes. And anyone who wanted to believe in fairytales as a child (or adult), whose imagination has ever run wholly wild, will empathize with this Wendy, unable to let Neverland go, even at the cost of hospitalization and a strained relationship with her brothers. The soft Wendy we knew becomes fierce and motherly, but in a real and raw way, not the playful pretend of her childhood. There a few other familiar characters prancing through the pages of Wendy, Darling (and some new ones to fall in love with), but I’ll leave you to discover them, yourself.

Not only is this new Neverland cast in sinister shadow and dark magic in a way that draws the reader in and brings them into its mythology and magic, but Wise also skillfully brings the reader into the adult lives and relationships back in London in a way that is heartfelt, deep and true. I’m not much of a crier, but a few of the scenes between Wendy and Michael brought me to the edge of tears.

If you’re hoping for a wonderful fantasy in A. C. Wise’s Wendy, Darling you’ll get it. You’ll also get a touch of horror and a bit of romance. It’s a story of siblings, a mother-daughter tale, and also a retelling of the dark side of fairy tales, of the terrible things that can happen when we let childhood go…or the things that happen when we don’t. This book has something for everyone who ever believed in magic, in monsters in the closet, or anyone who has longed for love and childhood lost.

Find Wendy, Darling in paperback, eBook or audiobook here.

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